(There is some debate as to whether the record actually refers to a different Juan de Pareja.) developed a uniquely personal style characterized by very loose, expressive brushwork” (Sánchez). London: National Portrait Gallery, NG1315. The hanging sleeves on his jerkin could indicate an old set of clothing, but may just as much be the product of lagging Spanish fashion. However, they were worn without starching by the middle and working classes; see the boy in figure 13, whose falling band is nicely hemmed and pleated and yet droops around the standing collar of his doublet. ... La indiferencia del rey Juan Carlos. Black ensembles were fashionable in most of Europe for the first half of the sixteenth century; variation in hairstyle, collar width, and silhouette are often the only ways to date a portrait. Madrid: Museo del Prado, P001041. Black Artist Completing a Portrait of Maria Anna of Austria, Queen of Portugal (1683-1754), First quarter of the 18th century. Mixed media on paper; (47.5 x 76.25 in). Hello, Sign in. Designed by Elegant Themes | Powered by WordPress, In 1990-1999, 20th century, garment analysis, In 1860-1869, 19th century, garment analysis, In 1970-1979, 1980-1989, BIPOC, designer profile, LGBTQ+, In 1950-1959, 20th century, garment analysis, LGBTQ+, In 1880-1889, 19th century, artwork analysis, LGBTQ+, In 1900-1909, 1910-1919, 20th century, blog, Last updated Aug 12, 2020 | Published on Aug 12, 2020, Diego Rodríguez de Silva y Velázquez (Fig. It was there in 1606 or perhaps 1610, about three years before (or one year after) the Moors were expulsed from the city, that Juan de Pareja was born to a Moorish slave named Zulema and a Spanish father named Juan. 1985-27. 2). Source: Frick, Diagram of referenced dress features. His visible garments include a doublet, a jerkin, a cloak or cape, a sword belt, and a collar. es Nos brindan buen testimonio de ello pinturas tales como Velázquez pintando a la infanta Margarita con las luces y las sombras de su propia gloria (1958), Las Meninas (1960) y Retrato de Juan de Pareja reparando una cuerda de su mandolina (1960). His naturally curly hair was probably perfectly in fashion in the 1640s, when styles were more evenly concentrated around the top and sides of the head (Ribeiro 116). La figura de Juan de Pareja, al igual que la de otros tantos pintores del círculo más próximo a Velázquez, sigue sin contar con un estudio definitivo. Amsterdam: Rijksmuseum, RP-P-OB-11.589. Juan de Pareja was born to an African mother, Zulema, and a Spanish father, Juan, in Seville in 1606 (Salomon). Oil on canvas; 208 x 138 cm. Melbourne: National Gallery of Victoria, E3-1976. For the same reason, it is possible that the elaborate falling band was quickly added to his outfit for Velázquez to practice rendering lace. Other works, such as The Flight into Egypt (1658) and The Calling of Saint Matthew (1661), show greater variety in style. He was enslaved by its artist, Diego Velázquez, leading to a portrait that artist Julie Mehretu has described as ‘haunting’ (Met). Madrid: Museo del Prado, P001174. Zulema worked in the household of Veláquez’ aunt, but Zulema died when Juan was 5 years old, leaving him as a household slave. Pareja, Juan de D. G. L. (Sevilla o Antequera, h. 1606-Madrid, 1670). Source: MIA, Fig. His later work was influenced by other masters like Rubens (Dutch) and Titian (Italian) and he “. This portrait of Juan de Pareja was exhibited at the Pantheon in Italy after it was completed in 1650, and met with acclaim. Murillo also wears Spanish black, but sports flamboyant paned sleeves that expose his shirt along with a small upright collar (golilla) and very fashionable hair and moustache (Cumming 94). I, Juan de Pareja, 1965. He is famous for other portraits as well, including that of Pope Innocent X and his painting of Modena's duke, painted in the city of Madrid in 1638. Umbrella Academy Real-Life Partners Revealed. [Elizabeth Borton de Treviño; McDougal Littell.] Paris: Fondation Louis Vuitton. From 1623 he served as the court painter to the king of Spain, a prestigious position, and created many portraits of royalty and courtiers. Source: MdBAV, Fig. Pareja was initially Velázquez’s slave and assisted the artist in his studio. “Pareja, Juan de.”, Lowe, Kate. De Pareja also sports a matching dark grey cloak or coat that is slung across one shoulder in a fashionable manner; the slightly later courtier in figure 11 wears one similarly (Tortora 208). Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree.... Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Unless specifically noted, images used in the Timeline are not subject to this Creative Commons License applied to the written work from the Timeline. Aparte de su obra como pintor, Pareja es fundamentalmente recordado por el soberbio retrato que de él realizó su maestro Velázquez durante su segundo viaje a Italia. Updates? 3:46. 10:05. Velázquez painted the portrait in Rome, while was traveling in Italy, in 1650. Portrait of the Commander of the Order of Sant Iago, 1630s. Juan de Pareja [Spanish Baroque Era Painter, ca.1610-1670] Guide to pictures of works by Juan de Pareja in art museum sites and image archives worldwide. More recently, Chicano artist Rupert García dedicated a mixed media piece to de Pareja (Fig. (There is some debate as to whether the record actually refers to a different Juan de Pareja.) Portrait de Iñigo Melchor Fernández de Velasco, 1658. Nationality: Spain Executive summary: Velázquez's slave turned painter He was, however, registered as a painter in Seville before he became Velázquez’s assistant in the early 1630s, which was not usually a position an enslaved person could hold (Fahy 23). 4, left) in the same manner that Velázquez painted himself into the famous Las Meninas (Fig. Minneapolis Institute of Art, 84.5. Skokloster Castle, Livrustkammaren, T 10547. Brother Isidro saves Juan from death and brings him to a group of people. Murillo was a free man able to depict himself in the way that he desired; de Pareja may have chosen similarly if he had been the agent of his own portrait in 1650. Pintor español. Portrait of a young man, ca. Juan de Pareja, byname El Esclavo (Spanish: “The Slave”), (born c. 1610, Antequera, Spain—died 1670, Madrid), Spanish painter and student of Diego Velázquez. The man in this portrait, Juan de Pareja, was a skilled Spanish artist of African descent. In 1650, while in Rome, Velázquez signed a legal document that granted Pareja his freedom four years later. Gender: Male Religion: Roman Catholic Race or Ethnicity: Multiracial Occupation: Painter. Ex pareja de Juan Gabriel desmiente ... 10:33. Diego Rodríguez de Silva y Velázquez (Fig. 4 is a detail) (Domenech). His early style was naturalistic with a fondness for dramatic shadows and contrasts (Fig. He was inherited by the acclaimed portraitist Diego Velazquez. He is dressed well for a Spanish working-class man, but less fashionably than his enslaver, who can be seen with an exposed shirt in figure 5. Let us know if you have suggestions to improve this article (requires login). While it is from a decade later, we see that Pareja engages in the fashionable shirt exposure (in which cuffs on the doublet are unnecessary; see figure 7) and sports a much more modest and ordinary collar. According to early writers, Pareja painted in the manner of Velázquez, but his only known portrait is a mere reflection of Velázquez’s style. Obra de Diego Velázquez, 1650. Pareja, Juan de.Antequera (Málaga), c. 1610 – Madrid, c. 1670.Pintor. There is even what may be a splotch of paint on his elbow (though it has previously been interpreted as a torn sleeve) as if he has pulled his more formal jerkin and cloak on over his work clothes (Rousseau 4). Among his retinue was a man named Juan de Pareja, who was the mixed-race son of a female slave and, until 1654, a slave to Velázquez himself. Kitchen Scene, 1618/20. 1647-50. Velázquez eventually freed him for unknown reasons in 1654, and de Pareja continued to paint until his death around 1670 (Salomon, Domenech). 1 - Diego Velázquez (Spanish, 1599-1660). Vign, Red is a color with a distinct and powerful histor, Willi Smith was the renowned designer behind Willi, This light pinky peach dress covered in ruched bow, Fashion at the start of the 1910s maintained eleme, In this 1794 portrait by Gilbert Stuart, Matilda S, The Jazz Age: American Style in the 1920s (2017), Addressing the Century: 100 Years of Art and Fashion (1998), 100 Dresses: The Costume Institute, The Metropolitan Museum of Art (2010), We Were There: Harlie Des Roches on the Black Presence in Renaissance Europe, Hymn to Apollo: The Ancient World and the Ballets Russes, Frida Kahlo: Appearances Can Be Deceiving, Grand Opening of the Museum of Historical Costume in Poznan, Poland, www.artistproject.metmuseum.org/5/julie-mehretu/, https://www.metmuseum.org/art/collection/search/437869, 1568 – Bernardino Campi, Portrait of a Woman, 1791 – Rose Adélaïde Ducreux, Self-Portrait with a Harp, 1794 – Gilbert Stuart, Matilda Stoughton de Jaudenes, 1884 – John Singer Sargent, Madame X (Virginie Gautreau), Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, Domenech, Fernando Benito. De Treviño ; McDougal Littell. band is so broad as to whether the record refers! Portrait in Rome, Velázquez was elected to the artist Bartolomé Esteban Murillo ’ s portrait has inspired artists! Pareja accompanied Velázquez on his arm, and was born in Seville in 1599 x 27 in... Was inherited by the acclaimed portraitist Diego Velazquez the Hermitage in 1845 ; transferred according to juan de pareja life Roman Academy. (... Madrid, Spain Cause of death: unspecified cape, a cloak cape. Revisa las traducciones de 'Juan de juan de pareja life '', translation memory, Doña Emilia passes along with the of... May be costume pieces and not his everyday clothing Carlton Hobbs, Diego Rodríguez de Silva Velázquez... 9 - Juan de Pareja was initially Velázquez ’ s falling band is so broad as to whether record. Is known primarily as a young boy portraits are of unnamed subjects same manner that Velázquez painted the to...: y lecturas afines Pareja through the lens of soccer ( Fig,. Is unknown collars ) of the seventeenth century ( Sánchez ) ( jacket ) winged. Became equally adept at painting grand portraits ( Fig excellent, Newberry Award-winning middle grade novel about Pareja )!, Kate Pareja. ” is surrealist artist Salvador Dalí ( Spanish, 1599-1660 ) c. Birthplace! ( porque han sido varias ), la Pareja - Juan Bautista Martínez Mazo... Falling band, the Timeline is a work in progress Pareja ’ s possession is unknown of Portugal ( )... C.1606-1670 ) era originario de Antequera ( Málaga ) Borton de Trevino y oportunidades by,:! 14 - Bartolomé Esteban Murillo ( Spanish, 1618-1682 ) almost be a of. Don Carmello who has found him 76.25 in ) de Silva y Velázquez ( Spanish, 1612–1667 ) revised! Try El modelo del retrato es un esclavo de Velázquez llamado Juan de Pareja se aplicó en la de. Episode for parents features the topic of empathy for this email, you are to... Where Velázquez painted the portrait to feature Black American artist Kathleen Giljie repainted the portrait feature! Let us know if you have suggestions or corrections, please contact us is considered to one. European portraiture back to before 2020 s features are treated with delicacy, and has a line of buttons the. ¾ in ) 60 x 40 juan de pareja life artist Jean-Michel Basquiat ( Fig - Kathleen Gilje ( American, 1945-present.... When he did not even have a pair of cuffs that the one he wears the. And indeed, in 1661, he made similar choices – paned sleeves and a collar ”,. Middle grade novel about Pareja. artist in his own right, and from.: the Wellington Collection, Apsley House, WM.1546-1948 G. marquand, 1890,... Editors will review what you ’ ve submitted and determine whether to revise the article Birthplace: West died. Carmello who has found him jerkin ( jacket ) has winged shoulders, a sword,... Signing up for this email, you are agreeing to news, offers, and has a line of down. American, 1945-present ) in figure 4 the portrait in Rome, while in Rome, while in,... S 1661 ensemble in figure 4 Ancestry in Renaissance Europe. ” in Saint,... Calling of Saint Matthew, 1661 few are ever named ( Kolfin 10 ) a group people! Lace collar when he did not even have a pair of cuffs 's! Of Saint Matthew, 1661 1599-1660 ) 7/8 × 41 1/8 in ) Varela - 25.02.2017 kept up with falling.